Chronological list of works


Order works by criteria:

N. Works written before 1989 have been withdrawn by the composer


  • MÚSICA EXTREMADA 1986

    for orchestra

    première: 16/01/1988, Teatro Real, Madrid / Spain. Joven Orquesta Nacional de España / Edmon Colomer

    • Proyecto Sotelo SL


  • TRIO BASSO – A R. H. R. 1988/89

    for viola, violoncello and double bass

    première: 24/04/1989, Odeon Theater, Vienna / Austria. Klangforum Wien

    • Ariadne Verlag


  • ... ATMEND… 1989

    for contrabass clarinet, double bass, saxophone, violoncello, piano and percussion

    première: 16/03/1990, Vienna / Austria. Die Reihe / Heinz Karl Grüber

    • Ariadne Verlag


  • QUANDO IL CIELO SI OSCURA 1989

    for saxophone and ensemble (string trio, double bass, piano and percussion)

    première: 13/12/1989, Auditorio Nacional de Música, Madrid / Spain. Marcus Weiss (saxophone), Grupo Círculo/José Luis Temes

    • Edition Contemp-Art


  • NEL SUONO INDICIBILE – A LUIGI NONO 1989/90

    for bass-clarinet / double bass-clarinet, alto saxophone/ tenor saxophone, violoncello and live-electronics

    première: 23/04/1990, Sezession, Vienna / Austria. Ernesto Molinari (clarinet), Marcus Weiss (saxophone), Lucas Fels (violoncello) Sound director: Peter Böhm

    • Ariadne Verlag


  • IX+, DE SUBSTANTIIS SEPARATIS 1990

    for soprano, ensemble (saxophone, double bass-clarinet, tuba, piano, 2 violoncellos, double bass) and live-electronics

    Text by Sotelo, inspired by the homonymous book by Santo Thomas de Aquinas

    première: 03/12/1990, ORF Grosser Sendesaal, Vienna / Austria. Margarete Jungen (soprano) Klangforum Wien / Mauricio Sotelo

    • Ariadne Verlag


  • DUE VOCI…, COME UN SOFFIO DALL’ESTREMA LONTANANZA 1990/91

    for clarinet, saxophone, female choir, orchestra and live-electronics

    commissioned by the ORTVE

    text: Thomas Aquinas, Rainer Maria Rilke and Massimo Cacciari

    première: 05/02/1991, Teatro Monumental, Madrid / Spain. Ernesto Molinari (clarinet), Marcus Weiss (saxophon), Orquesta y Coro de la RTVE / José Ramón Encinar. Sound director: Peter Böhm

    • Universal Edition


  • NON GRIDATE PIÙ 1990/91

    for 2 female voices, piano, ensemble (flute, 2 clarinets, saxophone, tuba, 2 percussions, string trio and double bass) and live-electronics

    commissioned by: Fundación Juan March

    text by Giuseppe Ungaretti.

    première: 23/10/1992, Philharmonie Cologne / Germany. Sarah Barrett, Renate Burtscher (voices), Kristi Becker (piano), WDR Sinfonie Orchester Köln / Hans Vonk. Sound director: Peter Böhm

    • Ariadne Verlag


  • CHEZ SOI SANS SOI 1991

    for 2 flutes, sound carrier and live-electronics

    première: 20/01/1992, Wiener Konzerthaus, Vienna / Austria. Eva Furrer, Sylvie Lacroix (flutes)

    • Ariadne Verlag


  • FLÖTENTÖNE 1991

    for 8 flutes in two groups

    première: 26/03/1992, Brucknerhaus, Linz / Austria. The Vienna Flautists

    • Ariadne Verlag


  • L’ALLEGRIA I 1992

    fur ensemble (piccolo, bass-clarinet bajo, string trio, percussion and piano). 12-13’

    commissioned by: Barcelona 216

    première: 05/04/1993, Zagreb / Croatia. Ensemble Barcelona 216 / Ernest Martínez Izquierdo

    • Ariadne Verlag


  • TENEBRÆ RESPONSORIA 1992/93

    for cantaor, tenor saxophone, tuba, piano, duoble mixed choir and three orchestral groups.

    commissioned by: Semana de Música Religiosa de Cuenca

    première: 30/03/1993, Iglesia de San Pablo, Cuenca / Spain. Enrique Morente (cantaor), Marcus Weiss (saxophone), Josef Steinbock (tuba), Marino Formenti (piano), Concentus Vocalis, Klangforum Wien / Mauricio Sotelo

    • Ariadne Verlag


  • L’ALLEGRIA II 1993

    for piccolo, bass clarinet, string trio, and piano

    commissioned by: Grupo Círculo and Fundación Caja Madrid

    première: 07/06/1994, Madrid / Spain. Grupo Círculo / José Luis Temes

    • Ariadne Verlag


  • ROSE IN FIAMME 1993/94

    for piano and for orchestral groups

    commissioned by: Orquesta Nacional de España

    première: 11/03/1994, Auditorio Nacional de Música, Madrid / Spain. Massimiliano Damerini (piano), Orquesta Nacional de España / José Ramón Encinar

    revised version 1997/98 as AL FUEGO, EL MAR, for piano and for orchestral groups [4.0.4.4. / alto and tenor sax / 6.5.4.2. / 4 perc / 2 hp / str] 25’

    première of the revised version: 16/10/1998, Donaueschingen. Yukiko Sugawara (piano) SWF Orchester Baden-Baden/Jürg Wyttenbach

    • Universal Edition


  • MEMORIÆ. Escritura interna sobre un espacio poético de José Ángel Valente 1994

    for violoncello and double bass, 12’

    commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) for the Festival Internacional de Música Contemporánea de Alicante 1994

    première: 23/09/1994 Auditorio de la Caja de Ahorros del Mediterráneo, Alicante / Spain. Rohan de Saram (violoncello), Stefano Scodanibbio (double bass)

    • Universal Edition UE 30230 (1994)


  • SU UN OCEANO DI SCAMPANELLII 1994/95

    for piano, 24’

    commissioned by: Saarländischer Rundfunk

    première: 16/05/1996, Saarbrücken / Germany. Massimiliano Damerini (piano)

    • Universal Edition 30167 (1995)

    from it: Scherzo (I–II–III–VII–VIII–X) [ca. 9'] Cadenza (V) [ca. 3'30"]


  • DE IMAGINUM, SIGNORUM ET IDEARUM COMPOSITIONE I 1994, rev. 1996

    for ensemble (flute, clarinet, alto saxophone (Eb), tenor saxophone (Bb) - percussion (2) - piano - violoncello double bass), 14’

    commissioned by: Klangforum Wien and the Wittener Kammermusiktage

    première: 21/04/1995, Witten / Germany. Klangforum Wien / Peter Rundel.

    • Universal Edition 31158 (1995)


  • ANIMALES CELESTES 1995

    for 1,2,3 or 4 violoncellos, 4-12’

    commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) for the Aula de Música de la Universidad de Alcalá de Henares

    première: 05/12/1998. Alcalá de Henares / Spain

    • Quodlibet, 3 (october 1995) / Universal Edition UE 30363 (1996)


  • DE AMORE 1995

    for violonchelo, 9’

    commissioned by: City of Munich.

    première: 05/11/1996. Gasteig, Munich / Germany. Yves Savary (violoncello)

    • Universal Edition UE 30335 (1995)



  • DE MAGIA 1995

    for alto or tenor saxophone, percussion and piano,14’

    commissioned by: Kultursministerium Württenberg

    première: 01/02/1996, Stadt Galerie, Saarbrücken / Germany. Trio Accanto [Marcus Weiss (saxophone), Christian Dierstein (percussion), Yukiko Sugawara (piano)]

    • Universal Edition UE 30253/30254 (1995)


  • EXPULSIÓN DE LA BESTIA TRIUNFANTE 1995

    for cantaor (flamenco singer), string quartet and double bass

    commissioned by: Festival de las Artes Sibila

    text: José Ángel Valente

    première: 12/03/1996, Teatro Central, Sevilla / Spain. Enrique Morente (cantaor), Arditti Quartet, Stefano Scodanibbio (double bass).

    • Universal Edition


  • NADIE 1995/97

    for cantaora (ossia contralto), saxophone, percussion and piano. 11’

    commissioned by: Verano Musical de Segovia

    text: José Ángel Valente

    première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia 7 Spain. Esperanza Fernández (cantaora), Trio Accanto [Marcus Weiss (saxophone); Christian Dierstein (percussion); Yukiko Sugawara (piano)]

    • Universal Edition


  • EL AMOR IMPOSIBLE 1996

    for guitar. 3’

    première: 17/08/1996 Iglesia de Santa Marina, Udalla (Cantabria) / Spain. Gabriel Estarellas (guitar)

    • Álbum de Colien para guitarra (Barcelona: Ediciones Cecilia Colien Honegger, 2000 [1998]), pp. 73-75.


  • TRAMA, IL FLAUTO DI MARSIA 1996

    for flute. 22’

    commissioned by: Fondazione Gustav Mahler de Cortona

    première: 13/07/1997,Cortona / Italy. Roberto Fabbriciani (flute)

    • Universal Edition


  • DE L’INFINITO, UNIVERSO E MONDI 1996/97

    for solo violin, orchestra (2.3.2.2. / alto sax / 4.3.2.1. / 3 perc / hp / string) and sound carrier. 25’

    commissioned by: Saarländischer Rundfunk

    première:12/09/1997, Saarbrücken / Germany. RSO-Saarbrücken / Michael Stern.

    • Universal Edition


  • DE AMORE. UNA MASCHERA DI CENERE 1996/99

    chamber opera, 100’

    parts: Woman (soprano) / Man (baritone) / Ginesa (cantaora) / Marina (cantaora)

    for ensemble (flute, clarinet, saxophone, violin, violoncello, double bass, 2 percussions and piano), tape and live electronics

    librettist: Peter Mussbach

    commissioned by: City of Munich for the Münchener Biennale

    première: 19/04/1999, Gasteig, Munich / Germany. Salome Kammer (Woman), Markus Eiche (Man), Eva Durán (Ginesa), Marina Heredia (Marina). Roberto Fabbriciani (flute), Ernesto Molinari (clarinet), Yves Savary (violoncello), Marcus Weiss (saxophone), Johannes Nied (double bass), Stefan Blum, Christian Dierstein (percussion), Yukiko Sugawara (piano) / Mauricio Sotelo

    scenery: Peter Mussbach.

    • Universal Edition


  • ANGEL DE LA TIERRA 1997

    for 2 cantaoras (ossia contraltos), ensemble (flute, saxophone, piano, 2 perc, violoncello and double bass) and tape. 25’

    commissioned by: Studio für electronische Musik des WDR Köln

    première: 10/04/1999, Cologne / Germany. Marina Heredia, Eva Durán (cantaoras), De Amore Ensemble / Mauricio Sotelo.

    • Universal Edition


  • ARGOS 1997

    for alto or tenor saxophone. 22’

    commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) / Ministerio de Cultura

    première: 11/07/1997 Iglesia de San Juan de los Caballeros, Segovia / Spain. Marcus Weiss (saxophone)

    • Universal Edition UE 30368 (1997)

    from it: Liebeslied I –parts I, II and IV– [saxophone alto, 8’]; Liebeslied II –parts VI, IX and X– [saxophone tenor, 9’] and Cantabile amoroso –parts IV and VI– [ soprano, alto or tenor saxophone, 6’]


  • CANTABILE AMOROSO 1997

    for alto or tenor saxophone. 22’

    fragment of "ARGOS"

    • Universal Edition


  • EPITAFIO 1997

    for cantaora (or contralto) y percussion. 8’

    commissioned by: Verano Musical de Segovia

    text: José Ángel Valente

    première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia / Spain. Esperanza Fernández (cantaora), Christian Dierstein (percussion)

    • Universal Edition


  • IN PACE 1997

    for cantaora (or contralto), percussion and sound carrier. 12’

    text: José Ángel Valente

    première: 01/10/1997, Madrid. Carmen Linares (cantaora), Christian Dierstein (percussion).

    • Universal Edition.


  • AL FUEGO, EL MAR 1997/98

    s. ROSE IN FIAMME

    (1993/94)

    • Universal Edition


  • POSESIÓN DEL ÁNGEL 1997/2001

    for cantaor (or baritone), ensemble and sound carrier. 50’

    text: José Ángel Valente

    • Universal Edition


  • CANTA LA LUZ HERIDA POR EL HIELO. HOMENAJE A FEDERICO GARCÍA LORCA 1998

    for violin and ensemble (flute, clarinet, 2 perc, string quartet and double bass) and sound carrier. 9’

    commissioned by: Ensemble Modern

    première: 16/02/1998, Frankfurt / Germany. Ensemble Modern / Sian Edwards

    • Universal Edition


  • DEL AURA AL SUSPIRAR 1998

    for double bass-flute (or bass-flute) and sound carrier.12’

    commissioned by: Roberto Fabbriciani

    première: 21/07/1998, Cividale del Friuli / Italy. Roberto Fabbriciani (double bass-flute). Sound director: Alvise Vidolin

    • Universal Edition UE 31832


  • FRAMMENTI DE L’INFINITO. LORCA-NONO DIÁLOGO DEL AMARGO 1998

    for orquesta (2.2.2.2. / 2.2.2.0. / 2 perc / string) and sound carrier.12’

    commissioned by: Junta de Andalucía

    première: 25/06/1998, Fuentevaqueros, Granada / Spain. Orquesta Ciudad de Granada / Joan Pons

    • Universal Edition


  • INTERLUDIEN ZU LORCAS ‘CANCIONES POPULARES 1998

    for flute, guitar, viola, double bass and percussion. 15’

    commissioned by: Comisión Nacional del Centenario de Federico García Lorca and Ensemble 5 Innovación

    première: 05/06/1998, Beethoven-Haus, Bonn / Germany. Ensemble 5 Innovación

    • Universal Edition


  • LECTURAS DEL LIBRO DE JOB 1998/2000

    flute, string orchestra (16 14 12 10 8 ) and speaker ad libitum. 16’

    commissioned by: Orquesta de la Comunidad de Madrid

    text source: “Book of Job”

    première: 08/06/1999, Teatro de la Zarzuela, Madrid / Spain. Roberto Fabbriciani (flute), José Luis Pellicena (speaker), Orquesta de la Comunidad de Madrid/ Pedro Alcalde

    • Universal Edition


  • PECES DEL AIRE 1999

    guitar and violoncello. 20’

    commissioned by: Saarländischer Rundfunk

    première: 04/06/1999 Funkhaus Halberg, Saarbrücken / Germany. Stefan Schmidt (guitar), Ramón Jaffé (violoncello)

    • Universal Edition


  • CENA DE LAS CENIZAS 1999/2000

    for orchestra (3.3.3.3. / 4.2.3.1. / 2 perc / hp / string). 25’

    commissioned by: Orquesta Sinfónica de Galicia

    première: 03/10/2001, Palacio de Congresos y de la Ópera, La Coruña / Spain. Orquesta Sinfónica de Galicia / José Ramón Encinar.

    • Universal Edition


  • SI DESPUÉS DE MORIR… IN MEMORIAM JOSÉ ÁNGEL VALENTE 1999/2000

    for cantaor (or contralto), orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string) and sound carrier. 18’

    text: José Ángel Valente

    première: 18/10/200, Teatro Monumental, Madrid / Spain. Arcángel (cantaor), Orquesta Sinfónica de la RTVE / Antoni Ros-Marbà.

    P. Universal Edition 31956 / 32548 (2001)

    Alternative version: ELEGÍA. FRAGMENTO 1999/2003

    for flute and orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string)

    première: 16/10/2003, Teatro ‘Giuseppe Verdi’ , Trieste / Italy. Orchestra Filarmonica Teatro ‘Giuseppe Verdi’, Roberto Fabbriciani (flute) / Stefano Mazzoleni


  • CABALA DEL CABALLO 2000

    for guitar and harpsichord. 9’

    commissioned by: Elisabeth Chojnacka and Radio France

    première: 07/02/2000, Maison de Radio France, Paris. Stefan Schmidt (guitar), Elisabeth Chojnacka (harpsichord)

    • Universal Edition


  • COMO EL OSCURO PEZ DEL FONDO 2001

    for alto flute, percussion and sound carrier ad libitum.12’

    commissioned by: Institut Valencià de la Música

    première: 04/05/2001 Centre del Carme, Valencia / Spain. Roberto Fabbriciani (flute), Miguel Ángel Orero (percussion). Sound director: Mauricio Sotelo.

    • Universal Edition


  • DE VINCULIS: GE-BURT. A FRANCIS BURT 2001

    for violin. 12’

    commissioned by: Centro para la Difusión de la Música Contemporánea / Ministerio de Cultura.

    preview: 06/042001, Universität für Musik und darstellende Kunst, Vienna / Austria. Joanna Lewis (violin)

    première: 28/02/2002, Auditorio Nacional de Música, Madrid / Spain. Joanna Lewis (violin)

    • Universal Edition UE 31871 (2001)


  • DE VINCULIS: GONG. A NURIA SCHÖNBERG NONO 2001

    for percussion. 14’

    commissioned by: Centro de Estudios Neopercusión

    première: 28/02/2002, Auditorio Nacional de Música, Madrid / Spain. Juanjo Guillem (percussion)

    • Universal Edition UE 31991 (2001)


  • ESTREMECIDO POR EL VIENTO. CANTO A FEDERICO PARA VIOLÍN SOLO 2001

    for violin. 4-5’

    composed for Sian Philips

    première: 25/072003, London / UK. Sian Philips (violin)

    • Universal Edition UE 32614 (2003)


  • APPASSIONATO – EN UN SILENCIO ARDIENTE 2002

    for flute and ensemble (string quartet, double bass, 2 perc, hp and guitar.10’

    commissioned by: Maggio Musicale Fiorentino

    première: 20/05/2002, Palazzo Pitti Firenze / Italy. Roberto Fabbriciani (flute), Contempoartensemble / Mauro Ceccanti.

    • Universal Edition


  • DEGLI EROICI FURORI. STREICHQUARTETT N. 1 2002

    for string quartet. 17’

    commissioned by: Internationale Beethovenfeste Bonn

    première: 24/09/2002, Beethoven-Haus, Bonn / Germany. Artemis Quartett

    • Universal Edition 31995 (2002)

       


  • RINCONETE Y CORTADILLO 2002

    ballet, for electronics. 50’

    Story line by Mercedes Carrillo and Raúl Comba based on the homonymus novel by Cervantes

    première: 05/07/2002, Teatro del Generalife, Granada / Spain. Company Latorre. Daniel Navarro (Rinconete), Ignacio Blanco (Cortadillo). choreography: Javier Latorre

    scenery: Abraham Lacalle

    • Universal Edition


  • CAMINO AL ANDAR 2003

    Soundtrack for the documentary film by Sholeh Hejazi. 83’

    script: Víctor Andresco

    P. Universal Edition


  • CANTES ANTIGUOS 2003

    for cantaor, piano and sound carrier. 10’

    commissioned by: Het Muziektheater Amsterdam

    text source: Persian poems of the XII century selected and arranged by the composer

    première: 12/02/2003 Het Muziek-theater, Amsterdam / Netherlands. Arcángel (cantaor). Het Nationale Ballet / Kristof Pastor.

    • Universal Edition


  • CHALAN 2003

    for percussion and orchestra ( 2.2.0.1. / 1.1.2.1. / 2 perc / piano / string). 18’

    commissioned by: Ensemble musikFabrik and Kulturstiftung NWR

    première: 03/12/2003, Funkhaus Wallrafplatz, Cologne / Germany. Trilok Gurtu (percussion), Ensemble musikFabrik/ Stefan Asbury.

    • Universal Edition UE 32615 / 32912 (2003)


  • TONÁ 2003

    for clarinet

    première: 28/04/2003 Teatre Talia, Valencia / Spain. José Luis Estellés (clarinet)

    • Piles ‘Quadern Ensems per a solistes’ (2004), pp. 117-119


  • ARTEMIS. STREICHQUARTETT N. 2 2003/04

    for string quartet. 23’

    commissioned by: BBC Radio 3

    première: 24/09/2004, Bridgewater Hall, Manchester / UK. Artemis Quartett.

    • Universal Edition UE 32960 (2004)


    New version with voice:

    AUDÉEIS 2004

    for voice (cantaor) and string quartet. 20’

    commissioned by: Fundación Caja Madrid

    première: 27/10/2004, Auditorio Nacional de Música, Madrid. Artemis Quartett, Arcángel (cantaor)

    • Universal Edition


  • WALL OF LIGHT RED 2003/04

    for saxophone and ensemble (1.1.1.1. / 0.1.1.0. / 3 perc / 1.1.1.1.1.) 17’

    commissioned by: Klangforum Wien

    première: 06/12/2004, Helmut List-Halle, Graz / Austria. Gerald Preinfalk (saxophone), Klangforum Wien / Beat Furrer.

    • Universal Edition


  • SONETOS DEL AMOR OSCURO. CRIPTA SONORA PARA LUIGI NONO 2003/05

    for 2 cantaores, mixed choir, (4A4T4Bar4B), bass flute, double bass, ensemble (clarinet / bass clarinetbajo, 3 perc and string trio) and sound carrier. 64’

    commissioned by: Festival Internacional de Música y Danza de Granada and Institut Valencià de la Música. 64’

    première: 01/07/2005, Hospital Real, Granada / Spain. Arcángel, Miguel Poveda (cantaores), Roberto Fabbriciani (flute), Uli Fussenegger (double bass) Grup Instrumental de València, Coro de la Generalitat Valenciana / Joan Cerveró. Sound director: Mauricio Sotelo. Images: Sean Scully

    • Universal Edition


  • CUADERNO DE DANZAS 2004

    for violin and ensemble (1.0.1.1. / 1.1.0.0. / perc / hp /guit / 1.0.1.1.1.) 20’

    commissioned by: Contempoartensemble

    première: 06/12/2004, Teatro Pergola, Florence / Italy. Duccio Ceccanti (violin) Contempoartensemble / Mauro Ceccanti

    • Universal Edition


  • EL LOCO 2004

    ballet, for saxophone and orchestra. 90’

    commissioned by: Ballet Nacional de España

    première:06/09/2004, Teatro Real, Madrid / Spain. Ballet Nacional de España / José Antonio. Marcus Weiss (saxophone),

    Orquesta Sinfónica de Madrid / Josep Pons

    Choreography: Javier Latorre

    Scenery: Francisco López

    main soloists: Christian Lozano (Félix ‘El loco’), Tamara López (Tamara Karsavina / La molinera / La dama blanca), Óscar Jiménez (Massine / El molinero / Espectro), Alberto Ferrero (Diaghilev / Espectro), Primitivo Daza (El bailaor antiguo / Espectro)

    • Proyecto Sotelo SL


  • MUROS DE DOLOR… I 2005

    for tenor saxophone. 4’

    commissioned by: Mostra Sonora de Sueca

    première: 25/06/2005 Sueca / Spain. Marcus Weiss (saxophone)

    • Universal Edition


  • MUROS DE DOLOR… I_b 2012

    for flute. 4’

    • Universal Edition


  • MUROS DE DOLOR… II 2005

    for flute

    commissioned by: Sociedad Española de Conmemoraciones Culturales

    première: 07/11/2005. Residencia de Estudiantes, Madrid / Spain. Alessandra Rombolá (flute)

    • Universal Edition


  • DULCINEA 2005/06

    A children's opera based on "Don Quijote" by Miguel de Cervantes. 55’

    commissioned by: Fundación Teatro Lírico - Teatro Real de Madrid in coproduction with Gran Teatre del Liceu de Barcelona, Asociación de Amigos de la Ópera de Bilbao, Teatro de la Maestranza de Sevilla, Fundación Ópera de Oviedo, Palau de les Arts de Valencia and Sociedad Estatal de Conmemoraciones Culturales

    original libretto by Andrés Ibáñez

    parts: Niño (soprano), Madre / Dulcinea (mezzo-soprano), Don Quijote (countertenor), Sancho (baritone)

    for ensemble (clarinet, violin, violoncello, percussion and piano) and sound carrier

    première: 18/05/2006, Teatro Real, Madrid / Spain. Arantxa Armentia (Niño), Beatriz Lanza (Madre / Dulcinea), José Hernández Pastor (Don Quijote), Javier Galán (Sancho), Javier Ibarz (Cervantes); Vicente Alberola (clarinet), Margarita Sikoeva (violin), Dragos Alexander Balán (violoncello), Juanjo Rubio (percussion), Juan Carlos Garvayo (piano) / Joan Cerveró

    Scenery: Gustavo Tambascio

    • Universal Edition UE 33449


  • RAÍZ DEL AIRE 2005/06

    for cantaor and ensemble (flute, clarinet, violin, violoncello y percussion)

    première: 24/04/2006 Sendesaal Radio Bremen, Bremen / Germany. Antonio Vélez ‘Pitingo’ (cantaor), Grup Instrumental de València / Joan Cerveró

    • Universal Edition UE 33583 / 33585 (2006)


  • WALL OF LIGHT BLACK – FOR SEAN SCULLY 2005/06

    for saxophone and ensemble (1.1.1.1. / 1.1.1.1. / 2 perc / piano / 1.1.1.1.1.) 16’

    commissioned by: musikFabrik and Kunststifung NRW

    première: 27/08/2006 Funkhaus Cologne / Germany. Marcus Weiss (saxophone), musikFabrik / Brad Lubman

    • Universal Edition UE 3

    32217 / 33220 (2006)


  • WALL OF LIGHT SKY 2005/06

    for ensemble (flute, clarinet, 2 violins, violoncello and percussion) and sound carrier. 12’

    commissioned by: Grup Instrumental de València

    première: 24/04/2006, Sendesaal Radio Bremen, Bremen / Germany. Grup Instrumental de València / Joan Cerveró

    • Universal Edition.


  • GREEN AURORA DANCING OVER THE NIGHT SIDE OF THE EARTH 2006

    for piano. 10’

    commissioned by: Robert-Schumann-Gesellschaft e. V. Düsseldorf for the Concours-Clara-Schumann 2007

    • Universal Edition UE 33418 (2007)


  • TANQUAM CENTRUM CIRCULI 2006

    for flute, harpsichord and orchestra (2.2.3.2. / 4.2.2.1. / 3 perc/ string) 18’

    commissioned by: Saarländischer Rundfunk

    première: 24/09/2006, Congresshalle, Saarbrücken / Germany. Roberto Fabbriciani (flute), Elisabeth Chojnacka (harpsichord) RSO-Saarbrücken /Josep Pons

    • Universal Edition UE 31042 / 31107 (2006)


  • TISRA KLAVIERTRIO N. 1 2006

    commissioned by: Trío Arbós. 12’

    première: 16/12/2006, Lodi / Italy. Trío Arbós [Miguel Borrego (violin); José Miguel Gómez (violoncello); Juan Carlos Garvayo (piano)].

    • Universal Edition UE 33675 / 33676a-c (2006)


  • MUROS DE DOLOR… III 2006/07

    for orchestra (3.2.3.2. / 4.2.2.1. / 3 perc / string). 14’

    commissioned by: Orquesta Filarmónica de Gran Canaria

    première: 04/052007, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Orquesta Filarmónica de Gran Canaria / Anne Manson

    • Universal Edition


  • NIGHT 2007

    for percussion and ensemble (1.1.2.1. / 1.1.1.0. / 2 perc / hp / piano / 1.1.1.1.1.) 25’

    commissioned by: Casa da Música de Oporto for Remix Ensemble

    première: 16/06/2007, Casa da Música, Oporto / Portugal. Miquel Bernat (percussion ), Remix Ensemble / Emilio Pomàrico.

    • Universal Edition



  • VENTA VARGA 2007

    piano trio

    première: 29/11/2007 Musikverein, Vienna / Austria. Wiener Klaviertrio: Wolfgang Redik, vl; Matthias Gredler, vc; Stefan Mendl, pn

    • Universal Edition


  • MUROS DE DOLOR… IV – SOLEÁ DE UTRERA 2007

    for cantaor, saxophone and percussion. 10’

    commissioned by: Dúo Lorca and Año Jubilar V Centenario de Utrera

    première: 14/12/2007, Teatro Municipal ‘Enrique de la Cuadra’ Utrera / Spain. Rafael de Utrera (cantaor), Dúo Lorca [Juan Jiménez, saxophone; Antonio Moreno, percussion]

    • Universal Edition


  • COMO LLORA EL VIENTO… 2007

    for guitar and orchestra. 23’

    commissioned by: Festival de Música de Canarias

    première: 18/01/2008, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Juan Manuel Cañizares (guitar), Nederlands Philharmonisch Orkest / Yakov Kreizberg

    • Universal Edition UE 33996 / 33710 (2007)


  • COMO LLORA EL AGUA… 2008

    para guitarra flamenca. 12’

    commissioned by: MaerzMusik – Festival für aktuelle Musik, Berlín

    première: 13/03/2008, Universität der Künste, Berlín / Germany. Juan Manuel Cañizares (guitarra)

    • Universal Edition

       


  • EL RAYO DE TINIEBLA 2007/08

    for cantaor, choir and orchestra

    commissioned by: Orquesta de la Comunidad de Madrid

    première: 04/06/2008, Auditorio Nacional de Música, Madrid / Spain. Arcángel (cantaor) ,Orquesta y Coro de la Comunidad de Madrid / José Ramón Encinar

    • Universal Edition


  • SUPERNOVA-SANTA MARINA LA REAL 2008

    for organ. 12’

    commissioned by: XXV Festival Internacional de Órgano Catedral de León

    première: 11/10/2008, Iglesia de Santa Marina la Real, León / Spain. Adolfo Gutiérrez Viejo, organ

    • Universal Edition


  • DE OSCURA LLAMA 2008

    for voice (cantaor), ensemble und sound carrier.50’

    première: 08/12/2008, Teatro Jovellanos, Gijón / Spain. Arcángel (Cantaor), Roberto Fabbriciani (flute) Stefano Scodanibbio (double bass), Ensemble RESIDENCIAS: Carlos Glavez (clarinet), Miguel Borrego (violin), José Miguel Gómez (violoncello) Juan Carlos Garvayo (piano), Juanjo Guillem and Rafa Gálvez (percussion) / Mauricio Sotelo

    • Universal Edition


  • CRIPTA, MÚSICA PARA LUIGI NONO 2009

    for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

    commissioned by: Salzburg Biennale (I)

    première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

    • Universal Edition


  • ARDE EL ALBA 2008/09

    for soprano, ‘cantaor’ and orchestra. 24’

    commissioned by: Orquesta Nacional de España.

    première: 04/03/2009, Auditorio Nacional, Madrid / Spain. Milagros Poblador (soprano), Arcángel (cantaor),Orquesta y Coro Nacional de España/ Josep Pons

    • Universal Edition


  • A ROBERTO-LA CHIAREZZA DESERTA 2009

    for flute

    première: 26/04/2009, Zagreb / Croatia

    • Universal Edition


  • COMO LLORA EL VIENTO… 2009

    for guitar and ensemble. 23’

    commissioned by: Grup Instrumental de Valencia

    première: 18/09/2009,Teatro Principal, Alicante /Spain. Juan Manuel Cañizares (guitar), Grup Instrumental de Valencia /Joan Cerveró

    • Universal Edition


  • JEREZ DESDE EL AIRE O AL AIRE DE JEREZ 2009

    for piano. 7’

    commissioned by: Asociación Española de Festivales de Música Clásica

    première: 28/11/2009, Cádiz / Spain. Juan Carlos Garvayo

    • Universal Edition


  • KlangMuro …I 2009

    for flute, double bass and ensemble. 25’

    commissioned by: Klangforum Wien

    première: 09/10/2009, Helmuth List-Halle, Graz /Austria. Vera Fischer (fl.), Uli Fussenegger (db.) Klangforum Wien / Rolf Gupta

    • Universal Edition


  • LA MÉMOIRE INCENDIÉE: LA GUITARE. STREICHQUARTETT N. 3 2007/09

    for string quartet. 18’

    commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) and Quatuor Diotima

    première: 23/09/2009, Teatro Arniches, Alicante / Spain. Quatuor Diotima

    • Universal Edition


  • MUROS DE DOLOR... V: JOSÉ ÁNGEL VALENTE-MEMORIA SONORA 2009

    for violin and live electronics. 10’

    première: 24/09/2009, Ourense / Spain. Raquel Rivera

    • Universal Edition


  • ALTER KLANG 2009/2010

    for cantaor, guitar and string quartet

    commissioned by: Quatuor Diotima

    première: 17/02/2010, Auditorio Nacional de Música, Madrid / Spain. Quatuor Diotima, JM Cañizares (guitar), Arcángel (cantaor)

    • Universal Edition


  • MUROS DE DOLOR... VI: Soleá 2010

    for violoncello. 10’

    commissioned by: Composer Association “The Sound Set Japan”

    première: 24/09/2010, Auditorium Musicasa, Tokyo / Japan. Ryou Onoki

    • Universal Edition


  • CRIPTA COLONIA GÜELL – MÚSICA PARA LA ESMUC 2010

    for 2 voices (cantaoras), mixed choir, ensemble (1.0.2.0-0.0.0.0, timp, perc(2), hp, acc, pno, vln, guit, vla, vc, cb) and electronics. 25’

    commissioned by: Escola Superior de Música de Catalunya

    première: 25/10/2010, L’Auditori, Barcelona / Spain. Solisten-Ensemble / Mauricio Sotelo (dir.)

    • Universal Edition


  • MUERTE SIN FIN 2010

    for for dancer, cantaor and ensemble. 34’

    commissioned by: Biënale Flamenco 2011

    première: 30/01/2011, Muziekgebow Amsterdam/Netherlands. Niew Ensemble / Ed Spanjaard

    • Universal Edition


  • ALPHA CENTAURI 2010

    for ensemble and electronics. 19’

    commissioned by: Ensemble Espai Sonor

    première: 31/01/2011, Centro de Arte Reina Sofia, Auditorio 400, Madrid / Spain. Espai Sonor / Voro García

    • Universal Edition


  • MUERTE SIN FIN … COMENTARIO, a la memoria de Enrique Morente 2011

    for reciter, bailaora, cantaor, ensemble and electronics. 72’

    text: José Gorostiza

    première: 29/06/2011, Teatro Real, Madrid / Spain. Juan Diego (recitation), Fuensanta “La Moneta” (bailaora), Arcangel (cantaor) / Mauricio Sotelo

    • Universal Edition


  • CUERPOS ROBADOS 2011

    for violin, reciter and orchestra. 15’

    commissioned by: Festival Klangspuren Schwaz

    première: 08/09/2011 Schwaz / Austria. Patricia Kopatchinskaja (violín), Ernesto Estrella (recitador), Tiroler SO Innsbruck / Franck Ollu

    • Universal Edition


  • LUZ SOBRE LIENZO 2011

    for violin, bailaora, percusssion and electronic. 40’

    commissioned by: Acción Cultural Española for the 200th Anniversary of the Constitution of 1812

    première: 03/12/2011 Auditorio 400, Centro de Arte Reina Sofia, Madrid / Spain.

    Patricia Kopatchinskaja (vl.), Fuensanta “La Moneta”, (bailaora), Agustín Diassera (perc), Fernando Villanueva (electronics)

    • Universal Edition


  • MAPAS CELESTES…I 2011

    for ensemble (flute, clarinet, horn, percussion, piano, violin and violoncello) and electronics. 15’

    commissioned by: Sociedad Filarmónica de Badajoz

    première: 01/12/2011, Badajoz / España. Neo Ars Ensemble

    • Universal Edition


  • AZUL DE LONTANANZA 2012

    for string sextet. 10’

    commissioned by: Instituto Italiano de Cultura de Madrid

    première: 05/ 05/ 2012. Teatro alla Scala, Milano / Italia

    10. 05. 2012. Auditorio Nacional de Música. Madrid /España

    Sestetto d'archi dell'Accademia del Teatro alla Scala

    • Universal Edition


  • SUB ROSA 2012

    for piano solo. 12’

    commissioned by: Juan Carlos Garvayo/ Asociación Voltaire

    première: 12/06/2012, Madrid/España. Juan Carlos Garvayo

    • Universal Edition


  • ABER DAS WEHENDE HÖRE… 2012

    for piano solo. 9’33’’

    dedication: Yehuda Elkana

    • Universal Edition


  • KLANGMURO …II 2012

    for ensemble (principal violin). 17’

    commissioned by: IVM and CNDM/Inaem

    première: 29/05/2012, Centro del Carmen, Valencia / España,

    30/05/2012, Auditorio Nacional de Música, Madrid / España

    Mª Carmen Antequera (violin), Grup Instrumental/ Jordi Bernàcer

    • Universal Edition


  • CRIPTA – MÚSICA PARA MANUEL DE FALLA 2012

    for ensemble and electronics. 15’

    commissioned by: ContempoArt–Ensemble

    première: 07/ 06. 2012, Teatro Goldoni, “Maggio musicale Fiorentino”, Firenze / Italia

    ContempoArt-Ensemble / Mauro Ceccanti

    • Universal Edition


  • MUROS DE DOLOR … Ib 2012

    For flute. 4’

    [Version from Muros de dolor … I für Tenorsaxofon (2005)]

    • Universal Edition


  • EL PUBLICO 2010/2013

    An opera in five scenes and a prologue

    libretto by Andrés Ibáñez, based on the play by Federico García Lorca

    commissioned by: Gerard Mortier for the Teatro Real de Madrid. Fundación Teatro Real.

    KLANGFORUM Wien; Coro del Teatro Real. / Pablo Heras-Casado. Dirección de escena: Robert Castro. Escenografía: Alexander Polzin.

    Figurines: Wojciech Dziedzic. Iluminación: Urs Schönebaum. Coreografía: Darrel Grand Moultrie

    Dirección de sonido: Peter Böhm. Asistente de dirección de sonido: Florian Bogner

    Dirección del coro: Andrés Máspero. / Director: José Antonio López. Caballo primero: Arcángel. Caballo segundo : Jesús Méndez.

    Caballo tercero: Rubén Olmo. Hombre primero: Thomas Tatzl. Hombre segundo: Josep Miquel Ramón. Hombre tercero: Antonio Lozano

    Elena: Gun-Brit Barkmin. Emperador / Prestidigitador: Erin Caves. Julieta: Isabella Gaudí. Criado / Enfermero: José San Antonio

    Guitarra solista: Cañizares. Percusionista: Agustín Diassera

    première: 24/02/2015, Teatro Real, Madrid. (further performances: 26 February; 1, 4, 6, 9, 11, 13 March)

    • Proyecto Sotelo SL

    DVD/BluRay by Bel Air Classiques (BAC134)

    Part 1: Act. 1-2-3

    Part 2: Act. 4-5


  • ANCORA UN SEGRETO… 2012/13

    Hommage–Sonate per Alfred Brendel

    for piano solo. 17’

    commissioned by: 60. Internationale Klavierwettbewerb Ferruccio Busoni/ Siemens Musikstiftung

    première: 25/08/2014, Bolzano/Italia. Juan Carlos Garvayo

    • Universal Edition



  • LE TEMPS SCINTILLE… 2014/18

    for string quartet and electronics. 48’

    commissioned by: SWR Experimental Studio, Freiburg

    (Der Titel ist ein Zitat aus dem Gedicht »Le cimetière marin« (1920) von Paul

    Valéry: »Le temps scintille et le songe est savoir«.)

    In preparation


  • BRUCKNER-NACHKLANG 2013

    for orchestra. 3’33’’

    commissioned by: Bamberger Symphoniker

    première: 23/05/2014, Konzerthaus, Vienna

    Bamberger Symphoniker/ Jonathan Nott

    • Universal Edition


  • RED INNER LIGHT SCULPTURE 2015

    for violin, bailaora [Flamenco-Tänzerin], flamenco–percussion and string orchestra. 22’

    commissioned by: Patricia Kopatchinskaja / Praetorius Prize

    première: 10, 11, 12/06/2016, Ordaway Hall, St. Paul / Minnesota 2016; 20’

    Patricia Kopatchinskaja (Vl.), Ruben Olmo (bailaor), Agustín Diassera (perc), St. Paul Chamber Orchestra / Tito Muñoz.

    (Also performable without bailaora and flamenco percussion)

    • Universal Edition


  • WHITE INNER LIGHT 2015

    for solo violin. ca. 5’

    commissioned by: Proyecto Sotelo SL

    première: Jugend Musiziert. Kassel/Germany. P. Mauricio Sotelo-Romero

    • Proyecto Sotelo SL


  • BLANCA LUZ DE AZAHAR 2016

    for viola and Piano. 14’

    commissioned by: CNDM

    première: 30/11/2016. Auditorio Nacional. Madrid/ Spain. Isabel Villanueva (va.) Thomas Hoppe (pno)

    • Proyecto Sotelo SL


  • EL CELLO LA GUITARRA Y EL MAR 2016

    for cello and guitar. 14’

    commissioned by: XLIV Festival Internacional Cervantino de Guanajuato.

    première: 19/10/2016. Festival Cervantino. Guanajuato /Mex. Rohan de Saram (vc.) Magnus Andersson (guit.)

    • Proyecto Sotelo SL


  • PLAZA ALTA 2016

    for ensemble [Fl., Clar., Alt-Sax., Vl., Vc., Pn., Perc.] 5’

    commissioned by: Sociedad Filarmónica de Badajoz/CNDM

    première: 17/10/2016, Badajoz. Sonido Extremo/ Jordi Francés

    • Proyecto Sotelo SL


  • RED INNER LIGHT-VIITASAARI NIGHT 2016

    for ensemble [Fl., Vl., Va., 2 Pno., Perc.]. ca. 8’

    première: 10/07/2016. ‘Time of Music’, Viitasaari/Finland. P. Mauricio Sotelo-Romero (vn), Liza Reid (va), Maria Lund (fl), Irene Bianco (perc), Magdalena Cerezo (pno), Jana Luksts (pno).

    • Proyecto Sotelo SL


  • CINCO SONATAS DE DOMENICO SCARLATTI (K107, K184, K 450, K455, K87) 2017

    for string orchestra (with flamenco percussion ad libitum) ca. 30’

    commissioned by: Stuttgarter Kammerorchester

    première: 23/03/2017, Theaterhaus, Stuttgart/ Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

    • Universal Edition

     

  • DOS PRELUDIOS DE CHOPIN (Nr. 4 & Nr. 8) 2017

    for solo violine and string orchestra. ca. 10’

    commissioned by: Stuttgarter Kammerorchester

    première: 23/03/2017, Theaterhaus, Stuttgart/Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

    • Universal Edition

     

  • Y LOS ARCOS VACÍOS POR EL CIELO 2017

    for guitar quartet and string orchestra. ca. 20’

    commissioned by: Aleph Gitarrenquartett /Stuttgarter Kammerorchester

    première: 19/05/2017 Stuttgart/Germany; Aleph Gitarrenquartett, Stuttgarter Kammerorchester / Mauricio Sotelo

    • Proyecto Sotelo SL


  • UN MAR DE TIERRA BLANCA 2017

    for guitar quartet. ca. 14’

    commissioned by: Aleph Gitarrenquartett

    première: 04/01/2019 Lausanne/Switzerland; Aleph Gitarrenquartett

    • Proyecto Sotelo SL


  • QUASALS VB–131. Streichquartett Nr. 4 2017

    for string quartet. 11’

    commissioned by: L’Auditori de Barcelona/CNDM

    première: 04/10/2017. Wigmore Hall, London/ GB. (Tournee: Philharmonie Berlin, Konzerthaus Wien, Baden–Baden, Luxemburg, Torino, Firenze, Barcelona, Madrid, Granada…) Cuarteto Casals

    • Universal Edition

    (Cuarteto CASALS, live)        (Quatuor DIOTIMA, live)


  • BULERÍA ARBÓS: RITUAL 2017

    for cantaor, viola, cello and piano. 12’

    commissioned by: Trio Arbós

    première: 25/10/2017. Auditorio Nacional de Música, Madrid/Spain. Trio Arbós (Cecilia Bercovich, José Miguel Gómez, Juan Carlos Garvayo)

    • Proyecto Sotelo SL


  • CON SEGRETO SUSSURRO: DE VINCULIS 2017

    Concerto per pianoforte e orchestra. 22’

    commissioned by: Orquesta Nacional de España/INAEM

    première: 23, 24, 25/02/2018. Auditorio Nacional de Música, Madrid/Spain. Nicolas Hodges (pno), Orquesta Nacional de España / David Afkham

    • Proyecto Sotelo SL


  • BLUE INNER LIGHT 2017

    for solo violin. 3’

    • Proyecto Sotelo SL


  • MUROS DE DOLOR … VIIa 2018

    for solo viola. 8’

    première: 23/02/2018. Beethovenhaus, /Germany; Tabea Zimmermann (viola)

    • Universal Edition


  • D’IMMENSO…LIBRO I 2018

    for flute and accordion 12’

    première: 03/12/2018. Firenze/Italia. Roberto Fabbriciani (fl), Francesco Gesualdi (acc).

    commissioned by: GAMO / Amici della Musica Firenze

    • Proyecto Sotelo SL


  • LʼANGELO NECESSARIO – A MASSIMO CACCIARI 2018

    For solo clarinet and orchestra. 15’

    commissioned by: La Monnaie/De Munt

    première: 06/01/2019. Bozar, Brussels/Belgium. Symphonic Orchestra of La Monnaie/ Alain Altinoglu

    • Universal Edition


  • BRUNO O IL TEATRO DELLA MEMORIA. 2017/2020

    Opera in five acts. 132’

    Libretto (Italian): Massimo Cacciari and Mauricio Sotelo after texts by Giordano Bruno.

    commissioned by: La Monnaie/De Munt

    première (canceled): 14th September 2021. La Monnaie/ Brussels. Orchestra of La Monnaie/ Kazushi Ono. Stage direction: Alexander Polzin and Sommer Ulrickson. Set design: Alexander Polzin. Lighting designer: Urs Schönebaum

    La Monnaie canceled the world premiere of BRUNO due to the coronavirus pandemic

    • Universal Edition

    Bruno Opera Web-Site

    bruno-opera.com

  • CINCO SONATAS DE DOMENICO SCARLATTI (K107, K184, K 450, K455, K87) 2020

    for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 30’

    commissioned by: MusicaSur

    première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

    • Universal Edition

    (check position 6:06)

  • DOS PRELUDIOS DE CHOPIN (Nr. 4 & Nr. 8) 2020

    for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 10’

    commissioned by: MusicaSur

    première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

    • Universal Edition

    (check position 29:29)

     

  • ESCULTURA DE ROJA LUZ INTERNA  2020

    for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 15’

    commissioned by: MusicaSur

    première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

    • Universal Edition

    (check position 43:20)

     

  • A MITAD DEL CAMINO DE LA VIDA 2020
    Fragments from Dante’s Comedia traslated by José María Micó.

    for voice (cantaor), violin, double bass, percussion and electronics. 65’

    commissioned by: CNDM

    première: 10/5/2021. Auditorio 400 Reina Sofía. Madrid/ Spain.

    Arcángel (cantaor), Juan Carlos Garvayo (pno). Pablo Martín Caminero (db), Agustín Diassera (perc), Mauricio Sotelo (speaker, cond)

    • Proyecto Sotelo SL



  • ENTRA EL ALBA EN LA ALHAMBRA 2021

    for piano and live electronics ad lib. 9’30’’

    commissioned by: CNDM

    première: 28/02/2022. Auditorio 400 Reina Sofía. Madrid / Spain. Juan Carlos Garvayo, piano.

    • Universal Edition


  • UN MAR DE SUEÑO. SUITE Nº 1 DE EL PÚBLICO. 2021/2022

    for mezzosoprano, tenor and chamber orchestra. 20’

    commissioned by: CNDM and Escuela Superior de Música Reina Sofía

    première: 07/03/2022. Auditorio 400 Reina Sofía. Madrid / Spain. Sinfonietta de la Escuela Superior de Música Reina Sofía / Johannes Kalitzke.

    • Universal Edition


  • DE CELESTE Y ORO 2021

    for solo violin. 9’30’’

    commissioned by: CNDM

    première: 28/03/2022. Auditorio 400 Reina Sofía. Madrid/ Spain. Lina Tur Bonet, violín.

    • Universal Edition


  • DE IMAGINUM, SIGNORUM ET IDEARUM COMPOSITIONE II 2021
    for ensemble. 10’30’’
    commissioned by: CNDM
    première: 31/01/2022. Auditorio 400 Reina Sofía. Madrid/ Spain. Klangforum Wien / M. Sotelo

    • Universal Edition


  • ESTELAS EN LA MAR 2021
    for mixed choir and two violins 10’30’’
    commissioned by: SWR Vokalensemble
    première: 11/05/2022. Brucknerhaus Linz, Austria. SWR Vokalensemble. Soo Eun Lee and Alexander Knaak violins / Marcus Creed

    • Universal Edition


  • CANTES ANTIGUOS DEL FLAMENCO 2021/22
    for viola and orchestra. 22’
    commissioned by: Festival Internacional de Granada 2022
    première: 29/06/2022. Palacio de Carlos V, Granada / Sp

    Orquesta Ciudad de Granada. Tabea Zimmermann / Lucas Macías

    • Universal Edition



  • LUCIFER DEL AZUL: EL MAR 2022
    for violin and piano. 9’
    commissioned by: XIX Concurso Internacional de Música de Cámara de Arnuero
    première: 8/07/2022. Iglesia de Nuestra Señora de la Asunción. Arnuero / Spain. Alejandro Saiz, violín; Enrique Lapaz, piano

    • Universal Edition


  • Bouquet of short instrumental Encores


    Encore… la joie _I

    from Como llora el agua 2013

    for guitar solo. 3’

    • Universal Edition


    Encore… la joie _II a

    from Luz Sobre Lienzo 2013

    for violin solo. 3’

    • Universal Edition


    Encore… la joie _II b

    from Luz Sobre Lienzo 2013

    for violin solo. 3’

    • Universal Edition


    Encore… la joie _III

    from Ancora un segreto 2013

    for piano solo. 3’

    • Universal Edition



    Withdrawn works

    Works written before 1989 have been withdrawn by the composer


    Cori (1982), mixed choir

    Bulería (1984), guitar and violoncello

    Dúo (1984), 2 violins

    Málaga (1984), soprano and ensemble (flute, clarinet, horn, percussion, guitar and string trio)

    Retrato de un andamio (1984), clarinet, trombone y vibraphone

    Soleá (1984), clarinet, horn, viola y vibraphone

    Polyphem (1985), orchestra

    Siete falsetas (1985), brass quintet

    Anagrama (1986), piano

    An-Denken (1986), 2 violoncellos

    Incidental music for Bodas de sangre (1986), sound carrier

    Incidental music for Unter Spaniens Himmel (1986), sound carrier

    El Guardián de la Posibilidad I 1987

    for soprano and ensemble (1.1.1.0. / trombone / piano / percussion /guitar / viola, violoncello) 17’

    Text by Andrés Ibáñez

    première: 08/02/1987, Círculo de Bellas Artes, Madrid / Spain. Adelina Álvarez (soprano), Grupo Círculo / José Luis Temes.

    El Guardián de la Posibilidad II 1987

    for flute, clarinet, percussion, piano, viola y violoncello

    … El l’avare Silence 1987

    for ensemble (1.1.1.1. / tuba / 2 perc/ piano / 1.1.1.1.)17’

    première: 21/12/1988, Auditorio Nacional de Música, Madrid. Grupo Círculo / José Luis Temes

    Geviert (1987), piano trio

    Lieve (1987), sound carrier 8’52’’

    première: 19/06/1988, Madrid

    … dans un ultime murmure… (1988), marimba

    Lueurs lisieres (1988), orchestra

    Quando il cielo si oscura I (Sax-solo) (1988), saxophone

    Edition Contemp-Art.

    Streichquartett n. 1 (1988), string quartet

    Incidental music for Im Dickicht der Städte (1989), sound carrier

    • L’Allegria (1992), violoncello

    Testimonials