Orchestra


Order works by criteria:

N. Works written before 1989 have been withdrawn by the composer


  • MÚSICA EXTREMADA 1986

    for orchestra

    première: 16/01/1988, Teatro Real, Madrid / Spain. Joven Orquesta Nacional de España / Edmon Colomer

    • Proyecto Sotelo SL


  • DUE VOCI…, COME UN SOFFIO DALL’ESTREMA LONTANANZA 1990/91

    for clarinet, saxophone, female choir, orchestra and live-electronics

    commissioned by the ORTVE

    text: Thomas Aquinas, Rainer Maria Rilke and Massimo Cacciari

    première: 05/02/1991, Teatro Monumental, Madrid / Spain. Ernesto Molinari (clarinet), Marcus Weiss (saxophon), Orquesta y Coro de la RTVE / José Ramón Encinar. Sound director: Peter Böhm

    • Universal Edition


  • TENEBRÆ RESPONSORIA 1992/93

    for cantaor, tenor saxophone, tuba, piano, duoble mixed choir and three orchestral groups.

    commissioned by: Semana de Música Religiosa de Cuenca

    première: 30/03/1993, Iglesia de San Pablo, Cuenca / Spain. Enrique Morente (cantaor), Marcus Weiss (saxophone), Josef Steinbock (tuba), Marino Formenti (piano), Concentus Vocalis, Klangforum Wien / Mauricio Sotelo

    • Ariadne Verlag


  • ROSE IN FIAMME 1993/94

    for piano and for orchestral groups

    commissioned by: Orquesta Nacional de España

    première: 11/03/1994, Auditorio Nacional de Música, Madrid / Spain. Massimiliano Damerini (piano), Orquesta Nacional de España / José Ramón Encinar

    revised version 1997/98 as AL FUEGO, EL MAR, for piano and for orchestral groups [4.0.4.4. / alto and tenor sax / 6.5.4.2. / 4 perc / 2 hp / str] 25’

    première of the revised version: 16/10/1998, Donaueschingen. Yukiko Sugawara (piano) SWF Orchester Baden-Baden/Jürg Wyttenbach

    • Universal Edition


  • FRAMMENTI DE L’INFINITO. LORCA-NONO DIÁLOGO DEL AMARGO 1998

    for orquesta (2.2.2.2. / 2.2.2.0. / 2 perc / string) and sound carrier.12’

    commissioned by: Junta de Andalucía

    première: 25/06/1998, Fuentevaqueros, Granada / Spain. Orquesta Ciudad de Granada / Joan Pons

    • Universal Edition


  • LECTURAS DEL LIBRO DE JOB 1998/2000

    flute, string orchestra (16 14 12 10 8 ) and speaker ad libitum. 16’

    commissioned by: Orquesta de la Comunidad de Madrid

    text source: “Book of Job”

    première: 08/06/1999, Teatro de la Zarzuela, Madrid / Spain. Roberto Fabbriciani (flute), José Luis Pellicena (speaker), Orquesta de la Comunidad de Madrid/ Pedro Alcalde

    • Universal Edition


  • CENA DE LAS CENIZAS 1999/2000

    for orchestra (3.3.3.3. / 4.2.3.1. / 2 perc / hp / string). 25’

    commissioned by: Orquesta Sinfónica de Galicia

    première: 03/10/2001, Palacio de Congresos y de la Ópera, La Coruña / Spain. Orquesta Sinfónica de Galicia / José Ramón Encinar.

    • Universal Edition


  • SI DESPUÉS DE MORIR… IN MEMORIAM JOSÉ ÁNGEL VALENTE 1999/2000

    for cantaor (or contralto), orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string) and sound carrier. 18’

    text: José Ángel Valente

    première: 18/10/200, Teatro Monumental, Madrid / Spain. Arcángel (cantaor), Orquesta Sinfónica de la RTVE / Antoni Ros-Marbà.

    P. Universal Edition 31956 / 32548 (2001)

    Alternative version: ELEGÍA. FRAGMENTO 1999/2003

    for flute and orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string)

    première: 16/10/2003, Teatro ‘Giuseppe Verdi’ , Trieste / Italy. Orchestra Filarmonica Teatro ‘Giuseppe Verdi’, Roberto Fabbriciani (flute) / Stefano Mazzoleni


  • CHALAN 2003

    for percussion and orchestra ( 2.2.0.1. / 1.1.2.1. / 2 perc / piano / string). 18’

    commissioned by: Ensemble musikFabrik and Kulturstiftung NWR

    première: 03/12/2003, Funkhaus Wallrafplatz, Cologne / Germany. Trilok Gurtu (percussion), Ensemble musikFabrik/ Stefan Asbury.

    • Universal Edition UE 32615 / 32912 (2003)


  • EL LOCO 2004

    ballet, for saxophone and orchestra. 90’

    commissioned by: Ballet Nacional de España

    première:06/09/2004, Teatro Real, Madrid / Spain. Ballet Nacional de España / José Antonio. Marcus Weiss (saxophone),

    Orquesta Sinfónica de Madrid / Josep Pons

    Choreography: Javier Latorre

    Scenery: Francisco López

    main soloists: Christian Lozano (Félix ‘El loco’), Tamara López (Tamara Karsavina / La molinera / La dama blanca), Óscar Jiménez (Massine / El molinero / Espectro), Alberto Ferrero (Diaghilev / Espectro), Primitivo Daza (El bailaor antiguo / Espectro)

    • Proyecto Sotelo SL


  • TANQUAM CENTRUM CIRCULI 2006

    for flute, harpsichord and orchestra (2.2.3.2. / 4.2.2.1. / 3 perc/ string) 18’

    commissioned by: Saarländischer Rundfunk

    première: 24/09/2006, Congresshalle, Saarbrücken / Germany. Roberto Fabbriciani (flute), Elisabeth Chojnacka (harpsichord) RSO-Saarbrücken /Josep Pons

    • Universal Edition UE 31042 / 31107 (2006)


  • MUROS DE DOLOR… III 2006/07

    for orchestra (3.2.3.2. / 4.2.2.1. / 3 perc / string). 14’

    commissioned by: Orquesta Filarmónica de Gran Canaria

    première: 04/052007, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Orquesta Filarmónica de Gran Canaria / Anne Manson

    • Universal Edition


  • COMO LLORA EL VIENTO… 2007

    for guitar and orchestra. 23’

    commissioned by: Festival de Música de Canarias

    première: 18/01/2008, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Juan Manuel Cañizares (guitar), Nederlands Philharmonisch Orkest / Yakov Kreizberg

    • Universal Edition UE 33996 / 33710 (2007)


  • EL RAYO DE TINIEBLA 2007/08

    for cantaor, choir and orchestra

    commissioned by: Orquesta de la Comunidad de Madrid

    première: 04/06/2008, Auditorio Nacional de Música, Madrid / Spain. Arcángel (cantaor) ,Orquesta y Coro de la Comunidad de Madrid / José Ramón Encinar

    • Universal Edition


  • CRIPTA, MÚSICA PARA LUIGI NONO 2009

    for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

    commissioned by: Salzburg Biennale (I)

    première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

    • Universal Edition


  • ARDE EL ALBA 2008/09

    for soprano, ‘cantaor’ and orchestra. 24’

    commissioned by: Orquesta Nacional de España.

    première: 04/03/2009, Auditorio Nacional, Madrid / Spain. Milagros Poblador (soprano), Arcángel (cantaor),Orquesta y Coro Nacional de España/ Josep Pons

    • Universal Edition


  • CUERPOS ROBADOS 2011

    for violin, reciter and orchestra. 15’

    commissioned by: Festival Klangspuren Schwaz

    première: 08/09/2011 Schwaz / Austria. Patricia Kopatchinskaja (violín), Ernesto Estrella (recitador), Tiroler SO Innsbruck / Franck Ollu

    • Universal Edition


  • BRUCKNER-NACHKLANG 2013

    for orchestra. 3’33’’

    commissioned by: Bamberger Symphoniker

    première: 23/05/2014, Konzerthaus, Vienna

    Bamberger Symphoniker/ Jonathan Nott

    • Universal Edition


  • RED INNER LIGHT SCULPTURE 2015

    for violin, bailaora [Flamenco-Tänzerin], flamenco–percussion and string orchestra. 22’

    commissioned by: Patricia Kopatchinskaja / Praetorius Prize

    première: 10, 11, 12/06/2016, Ordaway Hall, St. Paul / Minnesota 2016; 20’

    Patricia Kopatchinskaja (Vl.), Ruben Olmo (bailaor), Agustín Diassera (perc), St. Paul Chamber Orchestra / Tito Muñoz.

    (Also performable without bailaora and flamenco percussion)

    • Universal Edition


  • CINCO SONATAS DE DOMENICO SCARLATTI (K107, K184, K 450, K455, K87) 2017

    for string orchestra (with flamenco percussion ad libitum) ca. 30’

    commissioned by: Stuttgarter Kammerorchester

    première: 23/03/2017, Theaterhaus, Stuttgart/ Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

    • Universal Edition

     

  • DOS PRELUDIOS DE CHOPIN (Nr. 4 & Nr. 8) 2017

    for solo violine and string orchestra. ca. 10’

    commissioned by: Stuttgarter Kammerorchester

    première: 23/03/2017, Theaterhaus, Stuttgart/Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

    • Universal Edition

     

  • Y LOS ARCOS VACÍOS POR EL CIELO 2017

    for guitar quartet and string orchestra. ca. 20’

    commissioned by: Aleph Gitarrenquartett /Stuttgarter Kammerorchester

    première: 19/05/2017 Stuttgart/Germany; Aleph Gitarrenquartett, Stuttgarter Kammerorchester / Mauricio Sotelo

    • Proyecto Sotelo SL


  • CON SEGRETO SUSSURRO: DE VINCULIS 2017

    Concerto per pianoforte e orchestra. 22’

    commissioned by: Orquesta Nacional de España/INAEM

    première: 23, 24, 25/02/2018. Auditorio Nacional de Música, Madrid/Spain. Nicolas Hodges (pno), Orquesta Nacional de España / David Afkham

    • Proyecto Sotelo SL


  • LʼANGELO NECESSARIO – A MASSIMO CACCIARI 2018

    For solo clarinet and orchestra. 15’

    commissioned by: La Monnaie/De Munt

    première: 06/01/2019. Bozar, Brussels/Belgium. Symphonic Orchestra of La Monnaie/ Alain Altinoglu

    • Universal Edition


  • UN MAR DE SUEÑO. SUITE Nº 1 DE EL PÚBLICO. 2021/2022

    for mezzosoprano, tenor and chamber orchestra. 20’

    commissioned by: CNDM and Escuela Superior de Música Reina Sofía

    première: 07/03/2022. Auditorio 400 Reina Sofía. Madrid / Spain. Sinfonietta de la Escuela Superior de Música Reina Sofía / Johannes Kalitzke.

    • Universal Edition


  • CANTES ANTIGUOS DEL FLAMENCO 2021/22
    for viola and orchestra. 22’
    commissioned by: Festival Internacional de Granada 2022
    première: 29/06/2022. Palacio de Carlos V, Granada / Sp

    Orquesta Ciudad de Granada. Tabea Zimmermann / Lucas Macías

    • Universal Edition



  • Withdrawn works

    Works written before 1989 have been withdrawn by the composer


    Polyphem (1985), orchestra

    Lueurs lisieres (1988), orchestra

    Testimonials